Irreantum, Volume 4, No. 4, Winter 2002-2003

Irreantum #16, Vol. 4, No. 4, Winter 2002-2003

Table of Contents

  • AML News
  • AML Board Changes, AML Awards
  • In Memoriam: Neila C. Seshachari
  • Editorials
    • Fiction for Young People: There’s Gold in This Vein, John Bennion, Cheri Earl, and Carol Lynch Williams
    • A Krill of Words, Harlow S. Clark (introducing the poetry in the issue)
  • Essays
    • Then and Now: A Survey of Mormon Young-Adult Writers, Jesse S. Crisler and Chris Crowe
    • The True Colors of Carol Lynch Williams: Writing Ethical Fiction for New York, John Bennion
    • Everyone Hears Voices, Don’t They? Louise Plummer
    • A Taste of the Year’s Best, Lu Ann Brobst Staheli
    • “And the Moral of the Story Is?” The Ethical Dilemma of Young-Adult Literature, Jessie L. Christensen
    • The State of Dutcher’s Baby: A Report on LDS Cinema to Date, Preston Hunter
    • A Festival for Winners: A Look at the Second LDS Film Festival, Ludwig Einklang
  • Interview
    • Rick Walton
  • Novel Excerpt
    • The Shakeress, Kimberly Heuston
  • Memoir
    • Natural, K. L. Jackman
  • Poetry
    • Some Poems for Children, Rick Walton
      Summer Journey, Janean Justham
    • Even So It Shall Be in That Day, LaVerna B. Johnson
    • Like Whales, LaVerna B. Johnson
    • Appaloosa, Judith Curtis
  • Stories
    • Bliss at the Burger Bar, Louise Plummer
    • The Day We Lost Max, Lael Littke
    • Monster Lie, C. B. Decker
    • Flight, Jack Harrell
  • Reviews
    • A review of Ron Woods’ The Hero, by Sharlee Mullins Glenn
    • A review of Kimberly Heuston’s The Shakeress, by Kelly Thompson
    • A review of Jack Weyland’s Cheyenne in New York, by Jeffrey Needle
    • A review of Chad Daybell’s Emma Trilogyby Katie Parker
    • A review of the film Charley, by D. Michael Martindale
  • Mormon Literary Scene
  • AML-List Highlights
  • High School Literature Curriculum, Generalizing from Experience, Diversity in Mormon Literature, Difficult Art
  • Rameumptom
    • Local Waiter Serves God, Mammon, Stephen Carter (from The Sugar Beet)

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